A Q&A with Inclusive Entrepreneur Marianne Weber

A Q&A with Inclusive Entrepreneur Marianne Weber

Spotlight articles shine a light on designers and design materials we admire. Our founder and principal designer Rebeccah Pailes-Friedman has encountered many talented designers throughout her career, and in our Spotlight interviews we ask them about their work, their design journey, and what inspires them. In this interview we spoke with Marianne Weber, the founder and CEO of the inclusive lingerie line Even Adaptive and a licensed occupational therapist at Johns Hopkins Hospital. Marianne worked with Interwoven to realize her empathetic vision, founding Even Adaptive in 2021 and launching the adaptive lingerie line in 2024. That our team contributed to Marianne’s incredible project, which won a Core77 design award in 2023, makes this a particularly special Spotlight feature for us. We asked Marianne about what inspired her to become an entrepreneur, the power of designing for a traditionally neglected audience, and what it was like to work with a design team. 

Portrait of EvenAdaptive CEO Marianne Weber
Photo courtesy of Marianne Weber.

Q: You had a career in occupational therapy when you became an entrepreneur. What inspired that transition? 

A: I’m still currently working as an occupational therapist and keeping up my license, so it’s a long, slow transition. I’m still providing people with what we do as occupational therapists: providing independence and helping them relearn how to do things for themselves. It’s definitely a career change, moving into a CEO and founder role and away from being a full-time therapist. But I feel like the change is necessary for touching more lives than I could in my occupational therapy role. When I had the idea to make this happen, I didn’t immediately think, I need to switch jobs. This has been a three-year journey so far, and I’m still doing both roles. 

The job I have is in acute care. What that means is that I come in when people are initially in the hospital or post-op day one. I’m seeing people at the most heightened and scared time of their lives, and it has to be taken very seriously every moment that I am working as an OT because one wrong step and I could seriously injure somebody. I’m not able to focus on being a CEO when I am at my job, I still have to be a hundred percent there and present. Then when I’m not there I can be 100% present as the founder of Even Adaptive. 

I think one element of the transition that changed my perspective was starting to talk to all of my patients about their engagement and their sexual health as well. As occupational therapists, we focus on making sure that everybody can complete their activities of daily life, their ADLs, and sex is one of those things that we have within our scope of practice. Before becoming the CEO and the founder of Even Adaptive, I was a bit more shy about asking those questions because my toolbox wasn’t full. But, through this process, I’ve done a lot of continuing education. I became more educated on how I can help people through the process of creating our products.

Q: You explain that confidence and sexiness are the pillars of your brand ethos, could you elaborate on that?

A: When you’re faced with these disease processes or you have a disability of some kind, a lot of society communicates that these people are not allowed to express themselves in any kind of sexual manner. They’re not allowed to date, and they’re not looked at as valuable in that way that other women can be when they have full function. The pillars of being independent and sexy go hand in hand for Even Adaptive. If we can make you feel good, and increase your confidence and your independence by providing you with something that you want to be wearing instead of something that was made for 75% of women out there, then we can help to drive change. Sexiness is not just about how someone else is perceiving you but about how you perceive yourself.

Q: Your brand focuses on a neglected target audience. Did anything about this audience surprise you? 

A: I don’t know if they’ve surprised me so much because I’ve been working with this community for many years now, but one thing that I was excited about was how willing they are to lift everybody up. In so much of the world, when you’re trying to do something new, you hear no over and over again. But this community says, Let’s make change. Let’s do this. Let me post about it. Let me share your website. Everybody is excited to be involved in the ambassador program and get their name out there and their story out there. They are used to being told no as well, so when somebody finally tells them, This is for you, they grab onto it and they’re excited to be a part of it.

I’ve got both sides of the coin. We’re looking for fundraising and venture capitalists are 98% men. You’re faced with talking to men about women’s bras and underwear but also about women with disabilities and underwear. It’s this far out concept to them. They think, Who out there would need this? No we’re not going to fund that. I don’t see how it’s going to make money. But when you give it to the people who need it, they’re extremely excited to hear about the product and want to know more and be involved.  As an entrepreneur, there’s one side that’s beating you down, but then the other side that’s lifting you up. There’s a balance.

I think my personal story into why this business came to be is a pretty powerful story and seems to resonate with a lot of people. It doesn’t resonate so much with men but whenever I can tell it to women entrepreneurs they get it right away.

Q: Could you tell that story?

A: I was in graduate school in 2018 and it was finals week. I was having trouble with my vision and I was thinking, I’m going to go to the doctor and get really cute glasses!  The doctor thought something was strange, so he sent me in for an MRI. The MRI resulted with multiple lesions in my brain and my cervical spinal cord, and a very long diagnostic process led to a diagnosis of MS [Multiple Sclerosis]. So I was diagnosed with MS during finals week of grad school to become an occupational therapist. I already had my career laid out for me. I knew what I wanted to do, and it just happened that this was happening at the same time. The whole disease diagnosis process is fairly unpredictable with MS. Being me, with well-established anxiety, I was going through all the terrible things that could come from it. It was a very taxing year for me before I got on medication and was able to deal with it. In that process, I started working at Johns Hopkins in neurology. I was watching these women, who were dealing with a more advanced disease process than I had, not be able to do basics for themselves because that’s my whole job: to help people to be able to do those things again. These women couldn’t put bras on. Those were always the first things that women with neurological conditions gave up on, their underwear and their sexuality. They would just say, What? I’m never going to leave my house again, so why do I need to do this? But that doesn’t have to be the only option.

Even Adaptive was created from my own experience of going through this diagnosis and feeling like my self-worth was down in the dumps, and then watching women have this reaction over and over and over. I wondered, What is the thing that I can do to help these people? And the answer was to create an adaptive intimate line, because it was the one thing I couldn’t solve. I can teach anybody how to put on a shirt one-handed or a pant or a sock, there are tools out there for that. But nothing existed for these women that could lay the foundation of confidence and help them to feel good again. 

Q: Could you talk about your experience working with Interwoven? What was it like to have a vision realized with a design consultancy? 

A: When first I called Rebeccah, I remember her calling me back very quickly. She was immediately interested in the concept. Hearing that, I realized, Someone is going to help me with this! It was very exciting that she was able to see the vision, wrap her head around it, and know confidently that she could come up with a functional solution. It was so exciting to have a team of experts that had this portfolio behind them, that actually listened to what the product needed to be. I think Interwoven did a great job of taking the requirements that I knew that the product needed and creating something that has never been done before; to make it the best in the market and the only one-handed functional bra product that exists. The other beautiful thing that they did for me was to think about how the product was going to survive in the world in an extremely realistic way. They thought, We’re putting this work in, has this been created before? Has this been patented before? Are we going to be able to get a patent through? They did work to find out how it’s going to be manufactured, and they thought about the pricing. Interwoven thought about every detail, so they knew that the product would be viable once it left their hands. That was one of the most important things that they gave to me besides the clasp design. They wanted to see the project succeed, so they designed it with that in mind.

Q: What is something you experienced in the Even Adaptive journey that you didn’t anticipate? 

A: It was surprising how much attention went into creating this product. The multiple iterations and all the trial and error, all of the tiny little changes that Aybuke would make along the way…the product is highly fine-tuned and functional. When you’re not on the inside, you don’t think about what it takes to really create something like this. I was surprised at how much they cared.

Q: While awareness is growing, inclusive design is not yet a universal priority. What does the landscape of the inclusive market look like from your perspective? What are your hopes for this market? 

A: Since I started, I do see more adaptive companies. They’re starting to get funding and they’re popping up more and more often. I am seeing a big shift in the normalization of it. It’s still really slow moving. In terms of taking into account the look of the products and being fashioned forward, a lot of them are stuck on function. I do think that we’re going to move into a realm—and this is part of what Even Adaptive wants to help accomplish—where you don’t have to search endlessly online to find the thing that will help you get dressed after breaking your arm. You should be able to just pop online, already have a brand in your head, and order it up. There are a ton of inclusive designs that have been normalized in our homes, like all of the door handles that are levers instead of knobs. That’s an inclusive design option and we don’t think twice about it. It’s just in houses everywhere now. 

Hopefully that’s where adaptive clothing will go. It happened with baby onesies overnight. Somebody came up with baby onesies that have magnets and moms are like, Yes!  That’s a cool normalization, and that inclusive normalization is going to move up the line as long as we can make things that people want to wear.

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Design News N.028

Design News is your tiny dose of design, technology and other important news, curated monthly by Interwoven Design. In this series we share the latest on our favorite topics, including environmental design, technology, regenerative design, adaptive design, and bio-materials. In this issue: The Brooklyn Botanic Garden highlights their bird population, Citroën offers the perfect beach ride, Delta Air Lines gets sustainable with regenerative design, Reebok designs for disability, and Modern Synthesis gets funding for their microbial weaving project.

33 Conceptual birdhouses for BBG

A sharp rectangular prism of wood rises out of a lush green landscape.
The For the Birds exhibition explores the relationship between plants and birds. Photo by Liz Ligon, courtesy of the Brooklyn Botanic Garden.

The Brooklyn Botanic Garden has a new exhibition on display this summer, a series of innovative birdhouses that invite listeners to learn more about the birds and the environments they inhabit through the material choices and form interpretations of the birdhouse artists. There are 33 wildly different birdhouses, all of which are situated within the grounds to draw attention to the specific species that make their homes in the gardens. The series is meant to explore how birds and plants relate to each other, and is presented in conjunction with an album of birdsong recordings, For the Birds: The Birdsong Project. Bird lovers and novices alike will enjoy these sculptures enlivening the already impressive botanic display.

via Brooklyn Botanic Garden

Citroën’s latest edition of the Ami EV

A tiny electric vehicle sits on a beach with the ocean behind
The new My Ami Buggy is the ultimate beach ride. Photo courtesy of Citroën.

The new My Ami Buggy from Citroën is an all-electric car that is exuberantly tiny. The design was inspired by French beach culture, reflected in the removable canvas roof, open sides, and plastic body details. The little wheels are detailed in gold and the form of the khaki body reads somewhere between a jeep and a military vehicle if these were miniature and festive. The two-seater is on par with or smaller than other EVs on the market, and will appeal to those looking for a distinctive, summer-friendly option.

via Wallpaper* Magazine

AmEx card made from retired Boeing jets

The black Delta SkyMiles AmEx floats on a dark background
Twenty five percent of the new AmEx Reserve Business card is from a retired Boeing 747. Photo courtesy of Amex.

The new Delta SkyMiles Reserve and Reserve Business American Express credit cards feature a sleek, metal design, and few would guess that the source of that metal is a retired Boeing 747 from Delta’s fleet. Twenty five percent of the metal has been sourced from aircraft 6307, marking the retirement of Delta’s last Boeing 747. The card is an offering for elite customers and comes with a number of exclusive benefits, available to new applicants until August 3rd.

via Forbes

Fit to Fit, Reebok’s first adaptive trainers

Reebok Fit to Fit accessible trainers worn on a prosthetic limb
The new Fit to Fit collection from Reebok features a side zip for easy donning and doffing. Photo credit: Reebok.

Classic sportswear brand Reebok has a new line of accessible footwear that has been developed for those with restricted mobility. The Fit to Fit collection is a series of adaptive trainers that are easy to put on and take off thanks to the absence of buttons and buckles in favor of a convenient side zip. They also feature a removable insole and low-cut profile. The trainers are currently available as pairs but will also be released as single shoes for people with one foot.

via Dezeen

Modern Synthesis is growing!

Modern Synthesis microbial weaving technology
Modern Synthesis’ biofabrication technique takes advantage of the natural strength of the cellulose generated by the microbes as they grow. Photo courtesy of Modern Synthesis / Jen Keane.

Modern Synthesis is a London-based biomaterials startup that specializes in growing sustainable materials with microbes. Their goal is to reduce plastic pollution as well as the dangerous environmental impacts of the fashion industry. They are known for their microbial weaving process, enlisting bacteria  k.rhaeticus to create biotextiles. The biofabrication technique is innovative, taking advantage of the natural strength of the cellulose generated by the microbes as they grow. Their robots create a structural scaffold around which the bacteria form a fiber-like layer, yielding a biomaterial that is durable and lightweight. “Technically speaking, it’s not really weaving, but it’s a good analogy. If we talk about our process in the context of traditional weaving: we’re weaving the warp, and the bacteria are growing the weft,” Modern Synthesis explains.

via designboom

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Design News N. 027

Design News is your tiny dose of design, technology and other important news, curated monthly by Interwoven Design.  In this series we share the latest on our favorite topics, including sustainable design, design events in NYC, adaptive design, and women in design. In this issue: read about innovations in biomaterials and biotech, appreciate classic industrial design in the Eames pop-up at Herman Miller, and witness the power of color at Vitra’s new color-coded exhibit.

Studio MOM’s eco-friendly bicycle helmet

A hand holds the MyHelmet above a white table
Studio MOM’s eco-friendly MyHelmet is made with mycelium and hemp fibers. MyHelmet by studioMOM. Photo courtesy of Studio MOM.

Dutch design office Studio MOM has developed MyHelmet, a bike helmet that is manufactured with a combination of mycelium and a hemp textile, creating a composite that can be produced sustainably and composted after use. Most bike helmets on the market are made with non-biodegradable expanded polystyrene and are difficult or impossible to disassemble at the end of life. Studio MOM wanted to use innovative biomaterials to create an offering that would reflect the principles of a circular economy. They explained to Dezeen, “MyHelmet fits in with principles of the circular economy. There are minimal CO2 emissions, it does not require any fossil raw materials and the end result is 100 per cent biodegradable.”

via Dezeen

Biofabricate, where design meets biology

Designers congregate at Newlab
Designers congregate at Newlab.

Designed and facilitated by visionaries in the field, the Biofabricate Summit invites creators to integrate biotech into their future projects. The 2022 event is a 2-day conference showcasing the next wave of bio-innovators, with featured sectors including fashion, sport, wellness, mobility and construction. Join innovators and learn from biotech pioneers June 6-7 at Newlab in Brooklyn, NY.

via Newlab

Bye-bye to the iPod!

5 colorful iPod shuffles sit in a pile on a white background.
The iPod revolutionized the electronics market. Photo courtesy of sucelloleiloes.

Almost 22 years after its historic, record-breaking launch, Apple is stopping production of the iPod. The initial design concept was a music product that would encourage people to buy Apple’s computers. They weren’t the first to the market but they edged out the competition with their smart and intuitive user interfaces (that trackwheel!) and 99 cent tracks that prioritized selling hardware over software. The design far exceeded expectations, selling millions, revolutionizing the market, serving as a model for success for decades, and eventually inspiring the iPhone.

via The New York Times

Eames Institute at Herman Miller NYC

A red and black poster by Don Ervin for Herman Miller.
A poster by Don Ervin for Herman Miller. Photo courtesy of MidCentArc.

As part of NYCxDesign, the Eames Institute is holding its first pop-up exhibition at the Herman Miller Flagship. Herman Miller still manufactures all Eames furniture in the US, making the location of the pop-up especially fitting. Visitors can expect to see thousands of artifacts designed and collected by Ray and Charles Eames, including iterative ‘sketches’ of furniture pieces, notes, polaroids, and toys. This will be a preview of a massive display of small objects that The Eames Institute is organizing for later exhibition. On view until May 22nd.

via Designboom

New adaptive computer accessories 

A hand hovers above an adaptive mouse
Microsoft is launching a range of computer accessories designed for those with limited mobility. Photo credit: Microsoft.

Microsoft has launched a set of accessories that allow those with limited mobility or visual impairments to more easily and comfortably use a computer or laptop. The collection can be customized to suit different bodies, requirements, and preferences. The collection was developed by Microsoft’s inclusive Tech Lab, which specializes in adaptive design.

via Dezeen

Color Rush! by Sabine Marcelis at Vitra

"Vitra Design Museum by Frank Gehry" by o palsson
Vitra’s Color Rush! installation features hundreds of objects in their extensive design archive sorted by color. Photo courtesy of o palsson.

Dutch designer Sabine Marcelis’ Color Rush! exhibit sorts 400 of Vitra’s 7,000 object archive by color, resulting in a rainbow arrangement of products that juxtaposes radically different periods and styles while providing a vibrant, immersive experience. The objects are sorted by color gradients and displayed against a translucent background. The monochromatic presentation reveals the power of texture and material in design while creating a tour of design history via Vitra’s iconic furniture archive. On display from May 2022 to May 2023.

via Vitra

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Design News N. 026

Design News is your tiny dose of design, technology and other important news, curated weekly by Interwoven Design. In this series we share the latest on our favorite topics, including adaptive design, innovative technology, and sustainable design. In this issue: The VITURE One smart glasses create a panoramic virtual reality, the Pixy drone is the ultimate selfie sidekick, and Nike’s new glue-free shoe promotes a circular economy as an admirable example of design for disassembly.

Stream immersive video anywhere

A product shot of Layer's Viture One smart glasses
Layer’s VITURE One smart glasses create an immersive virtual reality for the user. Photo courtesy of Layer Design.

Benjamin Hubert’s studio Layer has designed a pair of smart glasses for tech company VITURE that displays a virtual screen for the lucky wearer. The wearer is able to play games and stream media on a virtual, cinematic 120-inch screen without the aid of any other devices. The style of the design was led by fashion trends to appeal to the lifestyle market rather than to get lost in sea of tech devices. “We see one of the biggest use cases being streaming media and communicating with friends, colleagues and family nomadically,” Hubert shared with Dezeen.

via Dezeen

Mini friendly-flying camera

The Pixy hovers against an unfocused background.
The Snap Pixy drone is a camera that tags along with the user to document their activities. Photo credit: Snap.

Snap (the owners of Snapchat) has announced the launch of its flying camera. Called Pixy, the bright yellow block is like a selfie-enabled drone. The device takes off right from your palm to follow you around and capture footage that can be sent directly to the Snapchat app. Once you have the footage you want, you place your hand below the device to have it land again.

via Designboom

Shower-proof prosthetic leg

An amputee rests his knee on the Lytra prosthetic.
Lytra’s shower standing aid was developed for lower-limb amputees. Photo courtesy of Harry Teng.

The Lytra lower-limb prosthesis uses an interchangeable modular system to avoid the expense of custom building that pervades the prosthesis market. Creator Harry Teng wanted to produce a safe, inexpensive standing aid to help amputees shower. An adjustable height pole features a hand grip for added stability and a customizable socket gives amputees options for the best size and fit. This is the kind of thoughtful, user-centric design we really love to see; design that has not only thought about the immediate functionality of the device but about the entire system.

via Dezeen

Nike glueless ISPA Link trainers

Three components of the ISPA trainer are laid out on a white background
Interlocking parts eliminate the need for glue in Nike’s new ISPA trainers. Photo courtesy of Nike.

Nike has unveiled ISPA Link, a collection of modular trainers that can be easily disassembled, as part of the brand’s move towards a circular design economy. The line comes from Nike’s ISPA (Improvise Scavenge Protect Adapt) design division, which works to create sustainable solutions to design. Standard shoes need to be shredded to be recycled, which is an energy intensive process that ultimately creates a recycled material with significantly limited applications. Once the shoe can be disassembled, individual materials can be recycled or reused to prevent waste and feed future manufacturing.

via Nike News

NYCxDESIGN 10th anniversary

NYCxDesign 10 year anniversary logo
NYCxDesign celebrates its 10 year anniversary this year. Image courtesy of NYCxDesign.

NYCxDESIGN returns to New York for its tenth anniversary edition to showcase the city’s design talent. Hundreds of events are spread over the five boroughs in a celebration of local design. The festival will take place online and at various locations around New York City, May 10th – 20th, 2022.

via NYCxDESIGN

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