Yukiko Naoi Joins Interwoven as Creative Director

Interwoven Design Group Expands Medical Design Expertise with the Appointment of Yukiko Naoi as Creative Director

Brooklyn, NY – May 1, 2025 – Interwoven Design Group is thrilled to announce that Yukiko Naoi has joined the team as Creative Director. A seasoned leader in medical product design and a long-time collaborator with Interwoven Design, Naoi brings a unique, multidisciplinary perspective that bridges the worlds of design, medicine, and wellness. Her addition to the team marks a significant expansion of Interwoven’s capabilities in the medical design and packaging fields, reinforcing the company’s commitment to innovative solutions across the market.

 

Naoi’s career spans over two decades in industrial design, with a specialized focus on medical devices, diagnostics, personal care products, and packaging. As former president of Tanaka Kapec Design Group (TKDG), she led groundbreaking work in medical packaging, human factors research, and healthcare innovation, collaborating with industry leaders such as AstraZeneca, Bausch + Lomb, and Johnson & Johnson. Her extensive experience in regulatory compliance, usability research, and design for manufacturing will be instrumental in advancing Interwoven’s medical design practice, and her structural packaging experience will strengthen their packaging design practice.

Beyond her industrial design expertise, Naoi is also a licensed acupuncturist and founder of Rest NYC, a clinic dedicated to integrative health and wellness. Her ability to merge clinical insights with human-centered design allows her to create products that enhance patient outcomes and experiences, improving everyday lives. This unique combination of skills positions Interwoven Design to expand its influence in patient experience and wearable technology solutions for healthcare.

“We couldn’t be more excited to welcome Yukiko to the team,” said Rebeccah Pailes-Friedman, Founder of Interwoven Design Group. “Her expertise in medical product and packaging design as well as research-driven, user-centered healthcare solutions aligns perfectly with our mission. With Yukiko’s leadership, we are poised to deepen our impact in the healthcare design sector and develop groundbreaking innovations in wearable health technology.” 

Rebeccah Pailes-Friedman (left) and Yukiko Naoi (right) collaborate at Interwoven Design Group’s Brooklyn studio, celebrating Yukiko’s new role as Creative Director.

Naoi has been a long-time friend and collaborator of Interwoven Design Group, contributing to multiple medical design projects over the years. In her new role, she will lead the studio’s medical design strategy and development, helping push the boundaries of wearable technology, health innovations, and e-textile solutions. Her expertise will allow Interwoven Design to broaden its partnerships within the medical industry and explore new frontiers in healthcare design.

Interwoven Design Group is a Brooklyn-based product design and development studio specializing in wearable technology, smart textiles, and innovations in health, medical, and consumer products as well as packaging. The studio is a thought leader in the wearable technology sector and committed to supporting women in design. By combining expertise in fashion, engineering, material science, and product design, Interwoven Design Group creates forward-thinking solutions that seamlessly integrate technology with the human body.

Please join us by welcoming Yukiko to the team!

 

 

Redefining Design Education: Bridging Tradition and Transition

Redefining Design Education: Bridging Tradition and Transition

This article, co-written by Rebeccah Pailes-Friedman, Elham Morshedzadeh, Ph.D., and Annie Abell, was published in the Winter 2024 Issue of IDSA’s INNOVATION Magazine.

Design education today stands at the crossroads of tradition and transformation, demanding that we prepare young designers with both timeless skills and cutting-edge tools to address society’s most wicked problems. Traditional competencies- design research, drawing, 3D form exploration, materials expertise, and problem solving — provide an essential foundation, yet they remain insufficient if students are not also trained to critically assess which challenges merit their attention. It is not enough for aspiring designers to master techniques; they must also cultivate the curiosity, resilience, and analytical acuity necessary to navigate a rapidly changing landscape.

In an ideal setting, education serves as the launchpad for industrial design innovation, nurturing visionary thinkers who blend art with engineering to craft transformative solutions. However, equipping students with this comprehensive skill set is a persistent challenge, especially when many academic institutions struggle to adapt their curricula to the fast pace of industry change.

Bridging the gap between theory and practice is an opportunity layered with complexities. As an active member of both IDSA and academia, I witness firsthand the struggle to define exactly what our future leaders need to learn.

IDSA champions educational approaches that break tree of traditional disciplinary silos, advocating for rigorous, interdisciplinary models that merge conceptual insights with tangible, real-world applications. Yet the hard question remains: How, exactly, do we implement this vision in educational practice?

To do so, we must reexamine and modernize our current educational models, ensuring that they integrate diverse fields and instill a spirit of innovation rooted in practical experience.

This modern imperative requires rethinking our approach to instruction and embracing a model that values both technical proficiency and the soft skills of critical thinking. Beyond merely teaching students how to execute design methods, we must guide them to question underlying assumptions, evaluate potential impacts, and decide which challenges are worth pursuing. Lifelong curiosity and resilience are as crucial to their development as technical expertise. Though this strategic direction presents significant challenges, it lays the groundwork for nurturing designers capable of tackling them. In an era where technology and market needs are in constant flux, evolving our design education is not just beneficial—it is essential for cultivating leaders skilled in both analysis and creative expression.

IDSA continues to advocate for curricula that move beyond conventional boundaries, promoting interdisciplinary approaches that merge conceptual insights with real-world applications. This vision requires educators to collaborate with industry professionals and integrate cross-disciplinary knowledge, drawing from fields such as sociology, environmental science, and computer science. For example, some pioneering programs now embed project-based learning, giving students firsthand experience in problem-solving, ethical design, and innovation management.

Today, boundaries between disciplines are increasingly blurred. Creativity, technology, and cultural understanding converge to create fertile ground for innovation-a phenomenon some have termed “expanding horizons.” Furthermore, emerging technologies such as artificial intelligence Al are reshaping the design process itself. Al is not merely a tool; it is revolutionizing the way we think about customization, efficiency, and user-centric design. By integrating Al and other innovative technologies, educational models can empower future designers to harness data, optimize processes, and even predict trends- pushing the boundaries of what is possible within our field.

Reflecting on this evolution, Elham Morshedzadeh, PhD, IDSA, Assistant Professor of Industrial Design at the University of Houston, says, “I believe industrial design has had a decent history in creative and adaptive teaching methods over decades of its existence. What began as hands-on practice within four-walled studios has expanded into immersive learning experiences that take students to streets, homes, hospitals, and even the depths of human thought and emotion.”

For Morshedzadeh, this journey highlights design education’s capacity as a catalyst for innovation, empathy, and societal impact. She emphasizes that design education is fundamentally about training designers to “understand, adopt, [and] evolve to create the most fit solutions.” Moreover, she argues that, with an emphasis on adaptability and observation-based solutions, design educators must structure projects and curricula to allow students to integrate new tools and technologies as project needs and industry advancements emerge.

Adding another dimension to this discussion, Annie Abell, IDSA, Associate Professor of Practice in the Department of Mechanical and Aerospace Engineering at Ohio State University, offers a parallel perspective from engineering education. She explains: “I am part of a team conducting a years-long project to modernize and completely redevelop the undergraduate mechanical engineering curriculum at Ohio State. A major hurdle is the speed of a comprehensive curriculum redevelopment project compared to the speed at which technology and industry is changing. For example, if it takes us four years… to develop and implement a new curriculum, what has changed in those four years? We will likely already be behind the times.”

Abell’s insights underscore the inherent tension between the deliberate pace of academic bureaucracy and the rapid evolution of the commercial world. She stresses that the solution is to create curricula that are “agnostic to specific software, specific tools, or specific technologies” and focused instead on adaptable skills and a mindset of active learning and problem solving.

Ultimately, as we reimagine design education, it is essential to create learning environments that foster collaboration, adaptability, and forward-thinking strategies. By embracing an interdisciplinary framework that values robust technical training alongside the nurturing of critical soft skills, we can prepare designers-and engineers -to lead, innovate, and drive meaningful change in a complex, ever-evolving world. The bridge between academia and industry grows stronger when educators are not isolated in their ivory towers but remain actively engaged in the professional realm. Many academic programs already benefit from part-time professors who work full-time in industry; these educators bring first-hand experience and up-to-date insights that help schools stay in tune with the rapidly changing demands of the market.

When academics actively participate in industry projects, research collaborations, and professional networks, they not only enrich their own teaching but also inspire their students to embrace real-world challenges. This symbiotic relationship ensures that classroom theories are constantly informed by the latest trends, technologies, and practices from the field. It transforms the educational journey into one that is dynamic, relevant, and immediately applicable-a crucial factor in an era where change is the only constant.

As we build and reinforce this bridge, it becomes clear that the future of design education relies on a model in which industry and academia work side by side, each challenging and informing the other. In doing so, we create a feedback loop that continually updates curricula to reflect emerging trends, nurtures innovation, and ensures that graduates are equipped with both the timeless wisdom of foundational skills and the agility to adapt to new technologies and market realities.

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